Bob Dylan Bringing It All Back Home Rar
By 1965, Bob Dylan had been moving away from the folk community which he had emerged from. Many had noted how made the move away from the protest song and into more personal and abstract themes.
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However it was his next album that caused the biggest stir, as with Bringing It All Back Home he entered the world of electric rock music. The folk purists were outraged. His growing audience in the rock and pop worlds were delighted.Side one of the album saw him backed by a band, performing in a ragged blues-rock style. Side two was mostly acoustic, though he was backed here and there by Bruce Langhorne's electric guitar or Bill Lee's bass.
Aesthetic changes aside, his songs were moving in increasingly surreal directions, with his lyrics becoming even more cryptic and unusual. A detailed reading of the songs on Bringing It All Back Home would reveal his disattisfaction with the folk community and his desire to leave it behind. The album introduced many of his most famous songs, among them 'Subterranean Homesick Blues', 'Mr Tambourine Man', 'It's Alright Ma (I'm Only Bleeding)' and 'It's All Over Now, Baby Blue'.Bringing It All Back Home was a major landmark for Dylan, and it created waves that moved throughout the folk and pop worlds. It was his declaration of independence from the folk community that had spawned him, and it effectively bridged the gap between folk and rock music. In it's wake, folk artists looked to the use of electric instrumentation, and rock artists turned to folk music for song-writing inspiration. Retrospectively, it can be called one of the first (if not the first) albums of the folk-rock genre, and began a new and controversial chapter in Dylan's career.(1964) (1965).
Bob Dylan – Bringing It All Back Home (1965) Monoural – MFSL 2017PS3 Rip SACD ISO DSD64 2.0 1-bit/2.8224 MHz 46:54 minutes Scans included 1,92 GBor FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz Full Scans included 946 MBMobile Fidelity Sound Lab # UDSACD 2181 Genre: RockWith Another Side of Bob Dylan, Dylan had begun pushing past folk, and with Bringing It All Back Home, he exploded the boundaries, producing an album of boundless imagination and skill. And it’s not just that he went electric, either, rocking hard on “Subterranean Homesick Blues,” “Maggie’s Farm,” and “Outlaw Blues”; it’s that he’s exploding with imagination throughout the record. After all, the music on its second side – the nominal folk songs – derive from the same vantage point as the rockers, leaving traditional folk concerns behind and delving deep into the personal. And this isn’t just introspection, either, since the surreal paranoia on “It’s Alright, Ma (I’m Only Bleeding)” and the whimsical poetry of “Mr.
Bob Dylan Bringing It All Back Home Rarity
Tambourine Man” are individual, yet not personal. And that’s just the tip of the iceberg, really, as he writes uncommonly beautiful love songs (“She Belongs to Me,” “Love Minus Zero/No Limit”) that sit alongside uncommonly funny fantasias (“On the Road Again,” “Bob Dylan’s 115th Dream”). This is the point where Dylan eclipses any conventional sense of folk and rewrites the rules of rock, making it safe for personal expression and poetry, not only making words mean as much as the music, but making the music an extension of the words. A truly remarkable album.Tracklist:01. Subterranean Homesick Blues02. She Belongs To Me03.
Maggie’s Farm04. Love Minus Zero/No Limit05.
Outlaw Blues06. On The Road Again07. Bob Dylan’s 115th Dream08. Tambourine Man09. Gates Of Eden10. It’s Alright, Ma (I’m Only Bleeding)11. It’s All Over Now, Baby BlueMastered by Shawn R.
Bob Dylan Bringing It All Back Home Rar
Britton at Mobile Fidelity Sound Lab, Sebastopol, CA.SACD ISOFLAC 24bit/88,2kHz.